On writing about another culture

The Wolf at the End of the World cover

“When we understand each other's stories, we understand everything a little better—even ourselves.”

—Someplace to be Flying, Charles de Lint

This will be a long post, but for me, it's an important one. I'm basing this post on the afterword that I include in my new novel, The Wolf at the End of the World. However, since a potential reader, especially a First Nations reader, may have concerns over the issue I address here (and therefore not read the book), I'm posting that afterword here.

On the Origin of The Wolf at the End of the World

My intent for writing this post is primarily to address a fear I had about writing The Wolf at the End of the World.  But before I can get into that, I need to first talk about the book's genesis.

The first story I wrote (and sold) professionally was the novelette “Spirit Dance.” In it, we first meet my shapeshifting species, the Heroka, as well as my hero, Gwyn Blaidd and many of the other characters of The Wolf. That story takes place five years before the events in The Wolf. “Spirit Dance” was my first professional sale. It appeared in the anthology, Tesseracts6 in 1997, was a finalist for the Aurora Award in 1998, and won the Aurora Award in 2001 when it was translated into French. It’s been republished seven times in English and translated another sixteen times. Yes, the story totally rocks, and you should check it out.

I always planned to revisit the world and characters of “Spirit Dance,” so when I finally decided to write my first novel, continuing Gwyn’s story was an obvious choice.

On Writing About Another Culture

Now to my fear about writing The Wolf at the End of the World. I’m a white male of European descent (English, Welsh, Irish) who is writing about Cree and Ojibwe culture, traditions, and beliefs. Any author who writes about a current culture other than their own risks being accused of cultural appropriation.

That risk is even greater if the writer belongs to the majority that has traditionally held power in their society and is writing about a minority group in that society. It becomes greater still when that majority has oppressed that minority for nearly a quarter of a millennium, as the First Nations people have been since the Europeans first arrived in this land. My ancestors stole their land, broke treaty after treaty, and introduced programs and policies consciously designed to destroy their rich and unique culture and way of life.

Pictures from THE WOLF launch in Toronto

First, thanks to everyone who turned out at my launch for my new novel, The Wolf at the End of the World, at SFContario on November 30. Chris Szego of Bakka-Phoenix Books handled the book sales, and my good friend, George Hardy, was kind enough to not only show up but also to act as photographer for the event. (By the way, if anyone is interested in the services of a great photographer, you can contact George (George S K Hardy) at photos@gskh6.ca.)

Here are some of the photos.

Pictures from the launch for The Wolf at the End of the WorldA good start! People actually showed up!

 

Pictures from the launch for The Wolf at the End of the WorldSeriously, you're calling me now?

 

 

Pictures from the launch for The Wolf at the End of the World

 

Ok, where was I?

 

Pictures from the launch for The Wolf at the End of the World

 

Oh,yeah...trying to balance an invisible ball in each hand.

 

Pictures from the launch for The Wolf at the End of the WorldEnough of that. My arms are getting tired.

 

 

Pictures from the launch for The Wolf at the End of the World

 

The signing line begins to form.

 

Pictures from the launch for The Wolf at the End of the World

 

No, I didn't know you could spell "Bob" with a "Z"

 

Pictures from the launch for The Wolf at the End of the World

 

Granddaughter Brighid, oldest son Mike, and youngest son Chris

 

 

 

More info on THE WOLF, including buying links and an excerpt, is available here.

Book launch for THE WOLF this Saturday in Toronto

The Wolf at the End of the World coverIf you're in the Toronto area, please join me on Saturday November 30 for the Toronto launch of my new novel THE WOLF AT THE END OF THE WORLD. The launch will take place at the SFContario convention, but you do not need to be attending the convention to attend my launch. 

Here are the details:

Saturday, November 30
6:00 - 7:00 pm
Courtyard Room
Ramada Plaza Hotel
300 Jarvis St, Toronto
The nice people at Bakka-Phoenix Books will be there, and you'll be able to buy signed and personalized copies of the print edition, as well as the ebook edition in whatever format you like. Plus I'll have some free giveaways just for showing up. You can read more about THE WOLF here, as well as some early reviews.
 
I hope to see you there!  

Cicada publishes "The Boys Are Back in Town" (again)

Cicada Nov / Dec 2013 issue coverThe excellent young-adult literary magazine, Cicada, has just republished my Zelazny-esque urban fantasy story "The Boys are Back in Town" in their Nov / Dec 2013 issue (cover at the right). This is the sixth appearance for this story, which first appeared in...uh...Cicada way back in 2000. I think it was the seventh story I'd ever sold at that point.

And yes, it is unusual for a magazine to reprint a story that they'd originally published. It's never happened to me before.

But it makes sense from the magazine's perspective. First, it saves them money. They pay less for a reprint than for a first rights sale (but they still pay very well for reprints—more than most markets pay for first rights). And since Cicada is aimed at teens, their current readers are not going to be the same group who read the story when it first came out twelve years ago.

And finally, hey, it's a good story. If you're interested, you can read reviews of the story here and check out the ebook version. "The Boys are Back in Town" also appeared in my collection, Chimerascope.

5-Star review for The Wolf at the End of the World

The Wolf at the End of the World coverWell, this is a nice start for my first novel. Kelly Jensen at SF Crowsnest has given The Wolf at the End of the World a five-star review over at SF Crowsnest. Here are some snippets from her review:

I don’t read a lot of paranormal stuff. … There are some interpretations of lore I like, though, and some authors I will read, almost regardless of what the story is. Douglas Smith and his debut novel, The Wolf At The End Of The World, fill both criteria.


… The last twenty pages were an emotional experience (read: messy), which is always what elevates a book from four to five stars for me. I love a story that hits all the emotional buttons from laughter to tears. When that happens, it goes without saying the writing is good and the story is engaging, the characters are deep enough to make me feel.
 
…  In his introduction, Charles de Lint touches on the same points and the same feeling. It’s the interweaving of lore and ideas that gives this novel so much substance. …
 
Given the number of awards Douglas has won for his short stories, it’s hardly surprising he’s written such a fabulous book and it’s lovely to be able to say so, unreservedly. I really enjoyed ‘The Wolf At The End Of The World’ and I’m happy to have a copy to put on my shelf. With adventure, intrigue, shape-shifters, family, a touch of romance and a lot of heart, this is a book I’d recommend for readers of all genres.
–Kelly Jensen, SF Crowsnest, October 2013

You can read Kelly's full review here.

"The Walker..." will be walking in Italy

Sample Quasar magazine coverCool. Shortly after my Aurora Award win for "The Walker of the Shifting Borderland," I received a request from Luigi Petruzzelli, the editor of the relatively new Italian SF&F magazine, Quasar, to translate and publish the story in an upcoming issue. And they pay well, which is not always the case for foreign genre markets, many of which don't pay at all. This will be my fourth publication in Italy.

The story should appear in Quasar either in the next issue before the end of 2013 or in their March 2014 issue. I'll post the actual cover of the issue with "The Walker..." when it comes out.

If you want to read the story in English, it's available at all major retailers as an ebook.

New story "Fiddleheads" out now in Chilling Tales 2

Chilling Tales 2 coverOver two years ago, I'd posted about the sale of my story "Fiddleheads" to the anthology Chilling Tales 2: In Words, Alas, Drown I. Well, the book has finally been released and is now available.

This is only the second time I've sold to what I'd call a clear "horror" market, the other time being "By Her Hand, She Draws You Down." Horror is not a genre I generally aim at, but I write the stories that show up in my head, and this one came out that way.

Here's an excerpt from the back cover copy:

"Canada’s maestro of the macabre, Michael Kelly, brings you CHILLING TALES: In Words, Alas, Drown I, an all new collection of nightmares that will perturb and torment you. Tales that will leave a frisson of fear and raise a quiver of gooseflesh. A chill is in the air."

With an introduction by editor Michael Kelly, the book contains a fantastic representation of Canadian dark fantasy and horror writers. I'm proud to have a story in a book edited by Michael, and to be included in this amazing roster of authors. Here's the table of contents:

  • In Libitina’s House by Camille Alexa
  • Gingerbread People by Colleen Anderson
  • Meteor Lake by Kevin Cockle
  • Homebody by Gemma Files
  • Snowglobes by Lisa L Hannett
  • The Dog’s Paw by Derek Künsken
  • The Flowers of Katrina by Claude Lalumière
  • Goldmine by Daniel LeMoal
  • The Salamander’s Waltz by Catherine MacLeod
  • Weary, Bone Deep by Michael Matheson
  • The Windemere by Susie Moloney
  • Black Hen A La Ford by David Nickle
  • Day Pass by Ian Rogers
  • Fiddleheads by Douglas Smith
  • Dwelling on the Past by Simon Strantzas
  • Heart of Darkness by Edo van Belkom
  • Fishfly Season by Halli Villegas
  • Road Rage by Bev Vincent
  • Crossroads Blues by Robert J. Wiersema
  • Honesty by Rio Youers

Check it out here.

Werewolf Wednesdays interview

The Wolf at the End of the World coverDavid Jón Fuller has kindly posted a short review along with an interview he did with me on The Wolf at the End of the World over at his "As You Were" website. The interview went live today as this week's entry for his recurring "Werewolf Wednesdays" feature on his site.

Here's an extract from his review:

Building on the world he created in previous short stories, Smith explores the Heroka — shapeshifting beings who can also control their totem animals — and their role in a world in which people’s relationship to nature is out of balance. He also confronts the clash of cultures between the dominant Canadian (read: white) interests and the rights of First Nations peoples such as the Cree and Ojibwe — and how this plays out in environmental policy and control over resources.
 
Aside from that, it’s also a gripping urban fantasy in which a voracious monster is targeting the inhabitants of Thunder Lake, a small town in Ontario, and even the combined power of the Heroka and ancient spiritual powers may not be enough to solve the mystery of the killings — and avert the end of the world.

David posed some very interesting questions in his interview, and I greatly enjoyed the discussion. I hope you'll check out the full interview here on David's site.

THE WOLF reviewed at Speculating Canada

Derek Newman-Stille reviews THE WOLF AT THE END OF THE WORLD at his award-winning Speculative Canada site. Here are some highlights from his review:

"The Wolf at the End of the World is a tale that would resonate with the spirit of any environmentalist – the struggle of diverse species to survive, the conflict with human greed and capitalism, the invasiveness of the human presence on animal life…

As he often does, Douglas wields myth … to reveal truths that we ignore in our mundane world and teaches complexity through the poetics of language and potentials of symbols.

Smith’s work, as always, is full of potent ambiguities, the moral questions that fill us with the potential to interrogate our world and challenge the assumptions that have become part of living our lives. He does this through beautiful prose and an exciting and powerful story.

Smith tackles issues of huge importance for our understanding of modernity … The reader is carried along on this mythic tale, taught the potential of stories to challenge us and make us more aware."

You can read Derek's full review here.

Interview with me at Trent Radio

Speculating Canada on Trent Radio logoBack in August (yes, I'm a little behind in posting), Derek Newman-Stille, recently a fellow Aurora Award winner for his wonderful Speculating Canada website, interviewed me on Trent University Radio.

Derek is an excellent interviewer, and we had a fun and lively discussion on a wide range of topics, all related in some way to my new novel, THE WOLF AT THE END OF THE WORLD, including werewolves, myths and legends, disability in SF, ecology, the power of SF to challenge social assumptions, representations of oppressed peoples in SF, writing short fiction, and blurring the boundaries between horror, science fiction, and fantasy.

I greatly enjoyed the discussion with Derek and hope that you will, too. You can check out the recorded interview here or jump directly to the podcast by clicking on the Trent Radio logo at the left.

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